Art by Carla Golembe
“Dreams are today’s answers to tomorrow’s questions”Edgar Cayce
When we dream, we are in a place, a world that is just as real to us while we dream it as the one we inhabit while we are awake. In this dreaming place we talk, walk, run, play, interact with others and have whole adventures without needing to adhere to many of the rules we are subject to in our waking lives: rules such as the earth’s gravity, or social proprieties, or linear time, or three-dimensional space. As such, we are fully embodied beings living inside the dream. The images that make up our dream are quite alive as we are experiencing them, such as the following:
“I dream I am a circus performer, balancing on the back of a horse.”
When we come out of the dream to tell about it we often find that language is inadequate to the experience. We are translating a lived, moving experience into the two-dimensional limits of language, often losing some of the richness and texture of the images and the experience in the process. Like the old story of trying to describe an elephant to a blind man, we can only capture part of the experience with words alone: just the trunk, or just the legs, or just the hide. The artwork brings it much more alive; now imagine yourself enacting that scene: You are kneeling on one knee on your white horse as it trots around the ring. What does that feel like in your body? What if you put your body into that position and tried it?
“Embodied imagination” by Robbie Bosnak, and Jung’s method of “active imagination” carry the stance that the dreamed images belong to this real and embodied world; it is our job is to develop a relationship with them in order to understand why they have come to visit us and what they might want from us. Bosnak says, “Images belong to the involuntary imagination and embody their own intelligence.”
Jean Houston talks about an intelligence beyond our own called the “Entelechy”, from the Greek, that contains wisdom from our highest selves in contact with the collective unconscious. We can access this self while in altered states such as trance, meditation, dreams and the in-between edges of dreams and wakefulness. Flashback memories, déjà vu experiences, and being in the “zone” or “flow state” in art, athletics or any creative endeavor can also allow us to access this realm.
When we practice dreamwork with our bodies as well as with our words, we can get closer to the reality of the living images. By letting the images enliven our body and using our felt sense, we can create dream theater or dream movements or dream sculpture that allow our bodies and those of our dream circle to get into the act and re-create the aliveness that we felt in the dream itself.
“I dream of a field mouse being stalked by a panther. The grasses are high and the sun is beating down on the field. It feels so immediate in the dream.”
In my works the group collectively becomes the field mouse, the blade of grass, the stalking panther, the hot sun, and thus feel into the dream through the different characters and parts of the landscape and experience a whole which is then greater than the sum of its parts. Now we can see where is it going. By enacting the dream-drama, we get a greater sense of how it has meaning for our lives, and perhaps the lives of others.
It’s an interactive experience with participants that can lead to unexpected results and insights, and can provide a very different approach to working with dreams than the time-worn road of analysis. Contact Linda Schiller () to discuss scheduling her for your next event to teach a Dreams Alive! embodied dreamwork workshop. See Linda’s trainings page for more information.